Sintefex is proud to be awarded, along with Focusrite, the MIX Technical Excellence and Creativity Award for its technology innovation embodied in the Focusrite Liquid Channel Mic Preamplifier.
Dynamic Convolution Technology, invented by Sintefex, enables a whole new world in which it is possible to emulate the sound of classical analogue equipment by digital sampling of the original, freeing the digital world from its sadly earned spectre of sounding cold and harsh.
TEC Awards nominations are made by a panel of industry professionals and voted upon by the subscribers of Mix, the leading trade magazine of the recording and sound production industry.
| LIQUID MIX - An Industry Standard | BLACKBOX RECORDERS capture George Michael |
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 Do you recognise these people? They have all fallen in love with Liquid Mix, the latest product on the market to use Sintefex's Dynamic Convolution techniques to make digital audio sound good with the sound of classic analogue gear. BT, Thom Russo, Bryan Carlstrom, Tor Hyams, Glenn Rosenstein and Carmen Rizzo (shown above) all have great things to say about the Liquid Mix. Together with artistes like U2, Madonna, Jay-Z, Prince, Alice in Chains and Anthrax these engineers and producers know a good thing when they hear it. For more information, check out the Focusrite web site... |  A total of eight JoeCo BlackBox BBR64-MADI recorders, designed in a joint venture between JoeCo and Sintefex Audio, were used on the recent George Michael Symphonica Tour to capture 2x256 channels of audio in what was potentially one of the largest live recording projects to date. In addition to their nightly recording function, and the additional capture of soundchecks, the BlackBoxes were also used in Virtual Soundcheck mode for system set-ups, replaying material from previous shows to help balance and EQ the PA system at each venue. At the Royal Opera House, four further BBR64-MADI units were connected to an additional DiGiCo console, generating broadcast mixes for this particular show. As well as running an extra 256-channel record, the BlackBox recorders also acted as a playback engine for making adjustments to the broadcast mix. The BlackBox BBR64-MADI Recorders were supplied by Wigwam Acoustics Ltd (www.wigwamacoustics.co.uk) and JoeCo Ltd. Image used by kind permisssion. |
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